Laurent Chambert's work is not about making obvious a global universalist vision, a relation to the world, but rather of making possible a state of perceptive consciousness by the use of fragments of commonly-used references and symbols (images from mass medias, systems of representation of the universe). This fragmentation is not rigid and leaves the possibility of reconstructing a unity. Neither univocal, nor generic, each action, each artwork draws from various signification fields, from different domains of knowledge. Laurent Chambert's does not reproduce permanent or autobiographical objects, which naturally proceed from a particular view of the universe. The apparent self-sufficiency of his projects does not originate from a systemized method of deconstruction, of opposition, of categorization.
